Tier 1 – Production Designer, Director of Photography, Principal Makeup, Line Producer, etc. The rates are negotiated depending on the percentage of gross or net of a project. The International Cinematographers Guild represents the most talented camera professionals and publicists in the world. These rates are from non-union freelance individuals that work primarily in commercials or narrative film. We are the brothers and sisters of the IATSE. Tier 3 – Art Department Assistant, 2nd Assistant Camera, 2nd AD, were all paid the “Assistant” rate, or the lowest rate. However, that does mean you’ll have to pay for the rest of production on those days too. Making movies is an exercise in the art of making difficult compromises. When budgeting a film crew for a union picture, the rates and work hour limits and thresholds are set by the union and you pay them. The official union agreement published each year lists the minimum salary scales, but well-known, sought-after staffing has the ability to negotiate for higher pay. And unlike other SAG AFTRA Theatrical agreements, you don’t need to ensure a theatrical screening under this agreement. Wow, this is a very helpful guide for someone like me looking into producing a short film for a family reunion. The Motion Picture Editors Guild is a union representing over 8,000 members working throughout post-production in the U.S. Project may reflect an independent or major contract, but if you are a local hire in New York, the Post Production (New York amendment) rates and provisions will apply. Welcome to the Showbiz Labor Guide film and TV union rates, brought to you by Media Services Entertainment Payroll.We’ve been the top provider of guild and union rates and entertainment payroll rules to the production industry for over 25 years, with updated minimum scale for SAG-AFTRA, IATSE, Teamsters and other film and TV labor unions and guilds. Please review our application process for more information. The Union of British Columbia Performers (UBCP/ACTRA) is an autonomous branch of ACTRA (Alliance of Canadian Cinema, Television and Radio Artists), the national organization of professional performers working in the English-language recorded media in Canada. Daily rates (recommended for short-term productions) start at $600 (for 6 hours of work) and could reach up to $829 (10 hours). (NEW) PRODUCERS ONLY. Plus, before you can even roll the camera, you’ll have to submit both a budget and copy of your screenplay to SAG. Since the early days of the musical, and the dawn of the film age, we have created indelible images; entertaining the world for generations. Ultra low-budget films and student films usually favor non-union because they can’t afford […] If your project falls between $700,000 and $1,000,000, the minimum you’ll have to pay SAG talent is either $630 per day, or $2,190 per week. It’s likely also your SAG agreement, if you’re shooting a wild spot. It’s also your bracket if you’re shooting a commercial that will run on a cable channel. Under this SAG contract, producers pay $5,528 per week for major role performers on a half-hour program, and $8,844 per week for hour-long programs. If you’re producing a daily talk show or variety show for streaming or cable, this is your pay bracket. 2018-21 BC Council of Film Unions Wage Rate Tables FINAL Television Feature Television Feature Television Feature Television Feature Appendix A - IATSE Local #891 Master Agreement Rates ACCOUNTING Assistant Accountant $37.02 $38.87 $38.13 $40.04 $39.27 $41.24 $40.45 $42.48 Accounting Clerk 1 $25.12 $26.41 $25.87 $27.20 $26.65 $28.02 $27.45 $28.86 Accounting Clerk 2 … What lingering questions about SAG rates do you have? If you are filming outside the South East of England please check with the office for rates of pay. Stage 3 of the Framework to Reopen the Province. Here are the 2020 SAG rates for performers in television. And with this guide, I hope I can find a creative crew with a short film director that shares the same vision as me. Activism. Tier 2 – Art Director, 1st Assistant Camera, Asst. We meet the increasing demands of the TV and movie industry by training and developing our members. Wild spots are used for products and services that only exist in certain cities–you wouldn’t air an In-N-Out commercial on the east coast. COVID-19 Updates. However, determining which rate applies you can be a difficult and confusing process. What you see is what you get. But for non-union films, it’s a bit different. Hiring talent on SAG weekly rates (5-day basis) does result in a per day discount. Unlike SAG agreements for film (where everything is determined by budget), in the world of television, rates are determined by the number of episodes you’re going to create, and more often than not, the episode’s length. Film crew members might have their own daily working rates and guidelines can be found on union websites. 2018-21 UBCP MASTER PRODUCTION AGREEMENT WAGE RATES FINAL ARTICLE B1 - MINIMUM FEES B101 Minimum Daily Fees (Per Performer/Per Program) Effective April 2, 2017 Daily Fee Hourly Rate Overtime Rate @ 1.5 Overtime Rate @ 2x Principal Actor/Stunt Performer $ 693.80 $ 86.73 $ 130.10 $ 173.46 Group Singers/Dancers $ 519.70 $ 64.96 $ 97.44 $ 129.92 Actor $ 466.93 $ 58.37 $ 87.56 $ … Like other low budget agreements, there’s only a SAG day player rate. Covid-19 Safe Practices . Past E-boards; Past Int'l Presidents; Past GSTs; Equality Statement; Departments; History; Contact Us; Member Resources. For films, you should should refer to SAG Theatrical Rates. Then your production probably falls under a SAG AFTRA Theatrical Agreement. That being said, if you’re going long every single day of your shoot, don’t expect your crew, even an inexperienced crew, to stay on the show. Getting real on rates means that crew’s real rates are recognised in enforceable agreements with cost-of-living pay increases. With television series, you would now be classified as a basic cable show and held to that pay scale. Please check your email regularly for updates and don't hesitate to reach out to your Local Union with any questions or concerns. And then after 12, depending on what state she’s working in, she may even be entitled to double time. Security. Directed by Brian Levin. With Scott Friend, Emma Duncan, Alex Breaux, Elisabeth Noone. Back ... Multimedia Producer: 45: 120: Storyboarding: 25: 50 Back to Leftbrainer. Events; Member Education. Since 1893, we've been behind the scenes. It will surely wow my in-laws from abroad if I present to them something artistic and sentimental to commemorate the day. (Who often end up costing the producer and the film more money due to their inexperience, slowness, and/or flat out ineptitude, relative to that of an experienced crew. IATSE Local 118 is the labour union supplying technicians, stagehands, stage crew, artisans and craftspeople to the Greater Vancouver entertainment industry, including live theatre, rock and roll, and trade shows. Perhaps I should look into film production services to see if I can get a serviceable crew. At its core, SAG rates are the minimum amounts of money talent must make for a given production. The Motion Picture Editors Guild is a union representing over 8,000 members working throughout post-production in the U.S. Project may reflect an independent or major contract, but if you are a local hire in New York, the Post Production (New York amendment) rates and provisions will apply. Unlike the SAG rates for Class A, you have to pay slightly more if New York City is one of your cities, which is why most opt for the first agreement. CDG - Costume Designers Guild. For over 45 years, Entertainment Partners has helped meet the demands of TV and film productions and their complex payroll requirements. SAG actors are paid weekly for their time, with $3,488 / week for appearing in every episode, $3,993 per week for appearing in more than half, and $4,656 per week for appearing in half. skip to main content We use technologies, such as cookies, to customise content and advertising, to provide social media features and … (Twice her hourly rate. The SAG day rate is $1,005, and $3,488 for the week. Since 1988, Local 480 has covered experienced film workers in ninety-nine crafts within twenty departments. In general, thes… Welcome; Structure of the IA; Leadership. SAG Theatrical Rates apply to actors performing in films across a variety of budgets. Really has helped me develop my project further with fairness, balance and credibility. Like the SAG Short Project Agreement, there isn’t a set SAG weekly scale or even a set day rate – it’s negotiable. The BC Council of Film Unions (BCCFU) is comprised of three member-unions representing workers in BC’s vibrant film and television industry: IATSE Local 891, Teamsters Local Union 155, and International Cinematographer’s Guild Local 669. There will be a $25.00 charge on all NSF cheques. Check out FilmRatings.com to learn the history of the film rating program, and to download additional film rating resources. However, work hours are still governed by state and federal labor laws. Such valuable information. Information abound, calculating your production’s SAG rates for TV is by far the most important rule is paying rates! Tad more complicated Departments ; History ; Contact Us ; Member resources s construction for! Production day is 12 hours, technically already includes 4 hours of overtime ( AKA “ O.T. ). Before diving in, she may even be entitled to double time information, you should get paid in ballpark! 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